Natercia Caneira lives and works in Lisbon. Completed the Advanced Course in Fine Arts at Ar.Co, Lisbon in 2001. She focused her studies on Conceptual Art, Minimalism and Land Art. In 2003 she moved to Boston. Here she attended the course "Design of Urban Landscape" at School of the Museum of Fine Arts. Aiming for a fulfilled education, Natercia proceeded to study Social and Cultural Anthropology and the following year she completed the course "Monuments as Cultural Symbols" at Harvard University, Boston. Her most recent individual exhibitions include, Systemic Factors, National Museum of Natural History and Science, Lisbon, Portugal (2015); Morphogenesis - Placebo Effect and Binary Oppositions, Transboavista VPF - Plataforma Revolver, Lisbon, Portugal (2014); Systematic Observations, Flutter Space, London, UK (2013); Random, Bernardo Museum, Portugal (2010); Skyline Connect, Foundation D. Luis I - Cascais Cultural Centre, Portugal; Détails du Maroc, Instituto Camões/Portuguese Cultural Centre in Rabat, Morocco (2008); No Limits, Cultural Center of Odivelas, Portugal (2008); Fiber Light, National Museum of Costume, Lisbon, Portugal (2006); Limits of Softness; Genovese/Sullivan Gallery, Boston, USA (2004). Natercia's work was invited and included in several group exhibitions; ChaShaMa Gala 2019, One World Trade Center, Manhattan, New York City, USA (2019); Identity and Circumstance, National Palace of Mafra, Portugal (2015); Open House Show, The Artist Residency Pedra Sina, Madeira Island, Portugal (2013); Celpa Award, Arpad Szenes/Vieira da Silva Museum, in Lisbon, Portugal; Alternative 1, at the Psychiatric Hospital of Lisbon Pavilion (2008); The Line Show at Genovese/Sullivan Gallery, Boston, USA (2004).
Natercia Caneira vive e trabalha em Lisboa. Concluiu o Curso Avançado de Belas Artes no Ar.Co, Lisboa em 2001. Fez os seus estudos em Arte Conceptual, Minimalismo e Land Art. Em 2003 foi viver para Boston onde frequentou o curso "Design de Paisagem Urbana" na Escola do Museu de Belas Artes de Boston. Com o objetivo de obter uma educação mais alargada, Natercia aproximou-se da Antropologia Social e Cultural e no ano seguinte completou o curso " Monumentos enquanto Símbolos Culturais" na Universidade de Harvard, Boston. As suas exposições individuais mais recentes incluem, Systemic Factors, Museu Nacional de História Natural e Ciência, Lisboa, Portugal (2015); Morphogenesis - Placebo Effect and Binary Oppositions, Transfavista VPF - Plataforma Revolver, Lisboa, Portugal (2014); Systematic Observations, Flutter Space, Londres, Reino Unido (2013); Random, Museu Bernardo, Portugal (2010); Skyline Connect, Fundação D. Luís I - Centro Cultural de Cascais, Portugal; Détails du Maroc, Instituto Camões / Centro Cultural Português em Rabat, Marrocos (2008); Sem Limites, Centro Cultural de Odivelas, Portugal (2008); Fiber Light, Museu Nacional do Traje, Lisboa, Portugal (2006); Limits of Softness; Galeria Genovese / Sullivan, Boston, EUA (2004). O trabalho de Natercia Caneira esteve exposto nas coletivas; ChaShaMa Gala, One World Trade Center, Manhattan, New York City, USA (2019); Identidade e Circunstância, Palácio Nacional de Mafra, Portugal (2015); Open House Show, Residência Artística Pedra Sina, Ilha da Madeira, Portugal (2013); Prêmio Celpa, Museu Arpad Szenes / Vieira da Silva, em Lisboa, Portugal; Alternativa 1, no Pavilhão do Hospital Psiquiátrico de Lisboa (2008); The Line Show na Genovese / Sullivan Gallery, Boston, EUA (2004).